Some of us love original motion picture scores, and I don’t have to explain that to my fellow addicts. Eighty bucks for a rare Jerry Goldsmith OST CD? Cheap at the price! Okay, that’s a little farther over the edge than some of us. But if you had the money to splurge, you would, too.
It’s not about “I have it and few people do.” That’s a soundtrack collector‘s mindset, a certain competitive completeness. I want to have it to listen to at will. If you gave me a choice, for free, between a full Krull limited edition 2-CD set, and 20 or 30 soundtrack albums that have to be $10 apiece or less, I don’t even have to think about it: I can list a couple dozen off the top of my head that I will take on that offer. Those will give me more happy time than any single complete soundtrack.
A pause to define: There are what they now call soundtracks that are anthologies of pop songs used as soundtracks (that started in the 1970s). I have a few of those, especially when it seems the only way to get some songs or versions of them. Suckerpunch, for example. The covers of songs are great (love of covers is another day’s insanity). But we need to differentiate those from the original soundtrack (OST) or film score. Read the rest of this entry